Review: Dazzling 'Shogun' is the genuine TV epic you've been ...

Show Caption

Hide Caption

'Shogun' gets an updated adaptation by FX

The creators of the new FX series "Shogun" were at first hesitant about whether it could be adapted. The book by James Clavell was released in 1975 and a popular miniseries aired in 1980. They soon realized its theme about power is still relevant today. (Feb. 26)

Style is easy. Substance is hard.

There is a glut of big, expensive and expansive TV shows these days, but there isn't a glut of big, expensive and expansive TV shows that are actually worth watching. They might look pretty, but they don't always have great stories and performances (and sometimes they don't even look that pretty). Big sets, costumes and casts don't make a good show on their own. It's not easy to make something epic.

But FX's "Shogun" (premiering Tuesday, 10 EST/PST, and streaming on Hulu, ★★★½ out of four), a new historical drama based on James Clavell's 1975 novel about the first English contact with feudal Japan, makes epic look easy. Beautiful, rich and deeply compelling, it might just scratch that "Game of Thrones" itch you've had since the HBO fantasy folded in 2019.

There are no dragons here, just juicy political intrigue, lush visuals and instantly memorable performances. "Shogun" invites you to the fully formed, delectably dangerous and curiously complex world of Osaka in 1600, a setting most Americans likely know less about than Westeros. But after viewing a few episodes, you may find yourself perusing your local library for books on Japanese history. The series encourages gluttony; even after 10 episodes, you may be asking for more.

The novel (and 1980 NBC miniseries) is an outside-looking-in story, focusing on wayward Englishman John Blackthorne (Cosmo Jarvis), who's on a mission to bring his country's interests to Eastern Asia (and take out his Catholic rivals, the Portuguese and Spanish traders and missionaries). A welcome change is the preeminence of Japan and the political players vying to rule it, vastly expanding the world and context about the feuds between the local lords.

All about the show: FX's 'Shogun' brings a new, epic version of James Clavell's novel to life: What to know

The lord we're rooting for is Yoshii Toranaga (Hiroyuki Sanada), one of five regents on a council ruling Japan while the heir to the throne is a child. Toranaga has been targeted by his fellow regents as they try to consolidate power, and the arrival of Blackthorne and his ship full of gold and guns is an opportunity Toranaga won't waste. Helped by Toda Mariko (Anna Sawai) as a translator for the "barbarian," as many of the Japanese characters call Blackthorne, Toranaga tries to keep himself and his people alive, and perhaps win power for himself. Those pesky Portuguese priests also may have more than Catholicism on their minds as they try to get a firmer foothold on the island nation.

Everything you need to know: FX's 'Shogun' brings a new, epic version of James Clavell's novel to life

The production design of "Shogun" is impeccable, full of intricate details and gorgeous renderings of historical buildings, costumes and swords. But those trinkets come alive when worn by the actors, who are simply superb. Sanada, a veteran you might have seen in "John Wick 4" or "Avengers: Endgame" who's also a producer of the series, is a magnetic presence. It's easy to see why Toranaga inspires such loyalty in his people. Jarvis is hilarious, playing up Blackthorne's fish-out-of-water comedy (he thinks Japanese people bathe far too often) and spitting his holier-than-thou lines with sizzling venom. Sawai has a much harder job (and not just because of the restrictive kimonos she wears). Mariko is a more reserved, subtle character who lights up the screen, even without self-righteous tirades.

The 1980 "Shogun" was a ratings juggernaut and Emmy Awards darling. There isn't always a compelling creative reason to remake a story. But the nuance and innovation that the new "Shogun" brings, particularly in its extensive Japanese-language dialogue and perspective, more than justifies the project. If we are doomed to a future of intellectual property-driven content from Hollywood (and we really are), it should be like "Shogun" – familiar in some ways but unique in telling different and more diverse stories.

"Shogun" is the kind of series that reminds you that TV can be an event, not just something casual you click on while folding laundry. It demands your full attention. So don't scroll, don't cook dinner, or get some work done while the TV happens to be on. Sit down. Watch. Take it all in. It's not every day you get a free ticket to Japan in 1600.

This is one adventure you won't forget.